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I’m an artist myself and thought it would be nice to bring Weber a piece of my own work - a print I had done during my BFA at the University of the Arts in Philadelphia.Īnother 15 or so minutes went by before the woman who’d greeted me came back and told me Bruce was ready to see me. The entire space felt like a shrine to the man and his work, laid out like an old, rustic factory, assistants - mostly all young, attractive men - quietly moving about, carrying giant prints of Weber’s work. The casting took place at Weber’s studio, Little Bear, located in Tribeca. And I believe myself, and my fellow male models, would not have had the courage to come forward had it not been for the female heroes who started this movement. To have another man abuse his power and take advantage of you can feel like one of the most emasculating and stigmatizing experiences that a young man can have.īut when I saw Weber’s Instagram post denying the accusations brought against him by other male models, I knew it was time to speak out, leaning into the fear instead of running away from it. And honestly, I was a victim of the pressure around what it means to be a man in today’s society. I was scared - I’m still a working model, and until I could support myself as a writer and artist, I wasn’t willing to risk losing my main source of income. When I first spoke up about my experience with Bruce Weber and sexual harassment in the modeling industry, I chose to remain anonymous. I’d met and worked with other famous photographers before, but no one described as a “god.” The pressure was on from the start. I was a 23-year-old model, with a rough idea of who I was and what I was willing and unwilling to tolerate. I’d heard Weber called a “god” in the industry, a man who could make or break my career. I checked my email and there it was: the original casting from my agent at the time, labeled “by photographer’s special request.” I still remember the initial exchange so vividly. The first time I met Bruce Weber was eight years ago. You can also see what we’re up to by signing up here. The archives will remain available here for new stories, head over to Vox.com, where our staff is covering consumer culture for The Goods by Vox. Thank you to everyone who read our work over the years. (Editor’s note: We’ve updated the list for 2022, including Titane, Freaky, and Fear Street Part Three: 1666.Racked is no longer publishing. Here are our essential LGBTQ+ horror movies, in order of release. The monsters are out of the closet, and they’re never going back in.
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Now we can choose from a lesbian domestic drama involving a baby werewolf in Good Manners, a transfeminist vampire movie in Bit, or a French slasher set in a gay porn community with Knife + Heart. The indie cinema boom at the turn of turn of the millennium coincided with the emergence of New Queer Cinema, and eccentric coming-of-age darlings like May and Ginger Snaps provided an alternative to the glossy studio slashers of the time. The Moral Majority reign of the Reagan Era slammed up against the AIDS crisis, and the excess and tumult of the ’80s gave rise to ultra-stylish and sexualized gore in movies like The Hunger and Hellraiser. (Not to say it was all positive representation, but the lesbian vampire wave of the 1970s certainly signified that the puritans were losing the culture wars in genre.)
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On rare occasion, queer folks were given real protagonists to root for, like Theo in The Haunting, but it wasn’t until the Hays Code was abandoned in the late 1960s that sexuality outside the bounds of heteronormativity became more overt. In the century since America became the world’s leader in horror film production, the genre became a bastion for the outsiders, the marginalized, the people made monsters by self-appointed adjudicators of sin, and who saw themselves in the supposed “villains” at the center of stories like Dracula’s Daughter. Fortunately, they weren’t creative enough to drive the big bad Other away. Here was Whale, a gay man, building horror in his own image and having astounding box office success as some groups were lobbying Hollywood to censor queerness out of existence. Before homosexuality was formally legislated out of existence in Hollywood by the Production Code - commonly referred to as the Hays Code, which established mandates for “moral standards” in motion pictures and banned depictions of “sexual perversity” - the legendary filmmaker James Whale was building the foundation for American genre cinema with films like Frankenstein, The Old Dark House, and The Invisible Man. (Photo by © Altered Innocence / Courtesy: Everett Collection) 33 Essential LGBTQ+ Horror MoviesĪs long as there have been horror films, there have been queer horror films.